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Post-Mortem from a Live Virtual Gala
I've been lurking for a while and have been working to produce a large virtual Gala for our theatre, and wanted to report back to the group on what worked, and what didn't, and the tech used. This is a very complex/expensive solution compared to many others, but it gave us a very high-quality event.
We were looking for the gala to have a highly-produced feel, think more like a TV news broadcast than like a Zoom panel - motion backgrounds behind split-screens, managing arrangement of panelists, side-by-side of multiple panelists and recorded content, title overlays, the whole 9 yards. However, we were also committed to a live production, rather than a pre-recorded presentation. While a significant portion of the production was pre-recorded clips, we wanted all the hosts to be live, live reactions to guest chat, and live discussion. The format for the gala in years past has involved live "voting" (via donations) over cell phone, and we wanted to retain that as well, with a live leaderboard/scoreboard being displayed. We also wanted everyone to be at their homes, including all production staff - no "production studio" or any other gathering place.
For choice of platforms, most of the common culprits (Zoom, Streamyard, Livestorm, etc) were ruled out because they didn't offer the customization options we wanted, or imposed limits on the number of video clips, length of clips, or low numbers of guests (we wanted 6 total). We also very much wanted a service that lets us cue up multiple changes to the feed, and execute them with a single TAKE button. We ended up choosing between OBS (open-source Open Broadcaster software, which runs on a personal PC) and Easylive.io, which offers studio-quality video management and switching via the cloud. We selected Easylive because we didn't like the idea of our single point of failure (the main control machine) being a consumer-grade desktop machine, running on a standard residential internet connection - since the control PC is your biggest point of failure, we wanted it to be as robust as possible.
While very expensive, Easylive rents you a private virtual server from which you control and stream your broadcast, for an hourly rate. Any number of operators can login to the server, so we had 2x operators running video switching/overlays live, another running the timer for guests, and a backup operator ready to step in at any moment. We were also able to let a Stage Manager and a Talent Manager view all the feeds (a feature called Multiview) so they could make sure guests were framed properly, track clips, and call cues. You can run up to 8 media sources at once (not including images/overlays) - we did 6 guests plus 2x video clip slots, which we rotated in and out for a total of 18 video clips. While you cannot "cue" the entire broadcast the way you might in Qlab (down to a single GO button), you can save an unlimited number of Scenes, which you toggle through via Hotkeys. With some trial and error, this worked well for us - the stage manger would call Hotkey numbers alongside talent cues.
We used Youtube for our primary stream destination, distributing an Unlisted youtube link, and used/moderated the chat alongside the video. We spun up an AWS Elemental stack for a simulcast backup feed, pushing through MediaLive->MediaPackage->Cloudfront, with a simple frontend hosted in S3. If there was some error with the Youtube feed, folks had the link to the backup and were able to pickup where they left off.
For backend communication, we started a private Mumble server in AWS EC2 and our crew and talent were able to login, join particular channels (like Clear-com), and we had low-latency VOIP to everyone. Again, with some trial and error, we were able to setup a structure for the SM to communicate with each party-line as needed, and a Talent Manager speaking in-ear to each onscreen guest to cue them to start/stop, communicate important chat messages, updates, and large donations. Most folks joined Mumble via the desktop client, but there are also iOS and Android clients that worked well.
What worked well:
- Distributed infrastructure. Between programming, rehearsals, and even during the event, everybody (including the primary video ops) had to reboot their computers for one reason or another, had crashes, internet blips, or what have you. If we had run OBS on any particular computer, we would have had a full-stop failure of the stream.
- Youtube created a very low-friction experience for our (older) audience. We had a tech support hotline setup to handle folks who had trouble, but they received less than 10 calls. Everyone already had an account, and easily stepped into the chat. The chat feature is easy to moderate, easy to delegate moderation abilities, and worked well. The stream distribution was fairly solid.
- Distributed production team - we had a total of 18 people on the backend of the stream, running in production, managing voting/donations and such, marketing (texts/emails/chat announcements), manning donation or tech support phone lines - it was quite a crew. But it enabled us to handle a huge number of tasks, and our audience felt just as taken care of as they would have on-site. In reality, our team was scattered across 5 states in 2 time zones, which was a very trippy experience.
- VOIP-as-Clear Com to enable us to have a full production team, speaking easily to each other, worked very well. Mumble itself worked fine, but I would suggest also testing alternatives like Teamspeak - the Mumble Mac client is hot garbage, and enough of our talent had Mac computers that it caused us a number of problems. It felt just like real tech, with cues, Holds, god-mic announcements, and even gathering in a channel called "Green Room" on 15's and pre/post rehearsal.
- Guest hardware. We requested that every live guest hardwire into their router with Ethernet, and use wired headphones to listen/speak. We checked in with each in advance, did one-on-one setup sessions, and had cables and adapters shipped out to whoever needed them. Even then, we ran into a number of issues ranging from cheap headsets that leak signal between the speakemicrophone (causing an echo), Bluetooth connection/disconnection/interference issues, dongle-mania, software issues, power plugs... the list goes on and on. Every time we'd get a guest squared away, something goes wrong with another. Allow plenty of time for troubleshooting, multiple sound checks, and design your show in a way that failure of a guest does not stop the show. Even the host - have a backup plan. Have someone on staff dedicated to troubleshooting if you can. Prior to this event, I had seen companies like PRG creating ready-to-ship Pelican cases with laptops/webcams/adapters/etc already setup, for people who are being presented remotely - I thought those were silly, but I would happily pay hundreds for those now.
- Mac Computers. I don't mean to berate the mac-vs-PC issue, but 90% of our computer troubles were Mac-related. As a windows guy myself, I had difficulty troubleshooting this with people, but it seems many of the things that make Mac's "easy" just gunk up this process - auto-selection of microphone and sound outputs, automatic level adjustment and noise reduction, automatic network adapter selection, security popups... it's a chore getting Mac's to "stay put" once you get them setup correctly, and we just didn't have that problem with PC's.
- Copyright claims on Youtube. Youtube scans your uploads with ContentID and will match absolutely any music clip. While in an uploaded clip that can just affect your monetization status, detection in a live feed can lead to your stream being taken down. They picked up 5 seconds of "Level Up" played in a clip from TikTok, 3 seconds of "We are the Champion" in the background of a some B-roll of an old production, and even matched music we had purchased sync rights to. The short answer, it doesn't matter if you own the rights or not, or if the clip is fair use or not - Youtube will find it, and may pull your stream. Their only solution is for you to dispute the copyright claim after-the-fact, which doesn't work for live streams. We had to replace all music, including music we had purchased legitimate sync-rights licenses to, with royalty-free music we purchased.
- Stream Stability - I am going to contact my rep at Easylive, but even though we were running well below their advertised specs, we did run into some stability issues during our rehearsals and event. They advertise 1080p60 with "unlimited" inputs, and we ran into issues at 720p30 with only 8. They allow you to monitor the resources on your server, and even 720p30 was pushing the CPU over 90%.
- We used Givesmart for our donations/auction platform, but their support refused to work with us to accommodate platform adjustments or tweaks required for the virtual experience. For instance, we were forced to pre-render the Leaderboard on another AWS EC2 server because they didn't support any other way to get the Leaderboard into Easylive or OBS. We had to hack together a system of registration that would deliver the Youtube link to ticketholders, which was especially difficulty for people who bought tickets close-in to the event. Givesmart is well setup for in-person events, but have not yet adapted to virtual.
I could keep rambling but this is plenty long enough already. I am happy to answer any questions or provide links to anything. I'll update this post with any additional thoughts I have... thanks all!
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